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Chapter LIII

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"When you give up your dream, you die" 

from Flashdance

Room 301

 Passage: Dahlia's Sun Garden 

Chronicle

Lisa Joslyn rendezvoused with the Thunderbuss and received the Diary of an Angel from the Messengers, Mary and Francis Young on 15th of August, 2011 in Chico, California U.S.A. She placed her Memories and Dreams in the Diary three poems Take Me Back To The Way We Were, This Is Not A Love Song and a collaboration with David Leich aka David Martin and placed in the Diary also on behalf of the Poets Round Table  three more collaborations of PRT Poems (see: Poets Round Table in Artistic Siblings) and returned it to them on the 16th of August, 2011. 

Her chapter is Chapter LIII (53rd). The passage Dahlia's Sun Garden leads to room 301 of the third floor Inert Sea of the City of Gold, which she watches over. Her color is blue, so she received a blue quill from Michael Wayne Holland aka SF Tiger. She sent one black and white back to him.

She met Halkios in real life in 2012 London in a gathering of four poets who have shared one poem writing its four stanzas through the Poets Round Table (a challenge of Michael Todd (703)) making it exceptionally unique as all of its players were present and have shared a real table (ehmm... almost round) for a first time outside the virtual world and all coming from different parts of the world (Scotland, California USA and Greece). See: Milestones.

 

Moments from the Diary's Passage

 

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Opening the Door

Lisa's Door will give you access to her biography and it will open when the Diary reaches Kormakitis Village. Beyond the door below you will find more about the artist and her works and her relation with the project. You can find more about the official campaign of the Diary of an Angel and about the journey in Cyprus called Odoiporiko (Οδοιπορικό) by clicking on Connect and Collaborate, on the left.

 

Lisa's Door

dahlia

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Copyright  © 5764  / 2004. All Rights reserved to the concepts, writings, poetry, photography and video art by Halkios. All thoughts sealed long ago in a contract with the universe. No recreation of these scrolls, in any shape or means of force, is tolerable without articulate consent of the intrepid architect.